
Wednesday, 24 June 2009
Arcadia (Leaf) Development -- Public Enquiry underway

Saturday, 20 June 2009
"Waiting for Godot", Theatre Royal Haymarket
Things got off to a very promising start with a quick visit to Kettner’s in Romilly Street. It was here, once upon a time, that Oscar Wilde wooed young Bosie. Instead, I was very happily entreated by a couple of tasty venison sausages in a red wine sauce, washed down with fine red Bordeaux. Life was good, and as we made our way across Soho to The Haymarket, it was just about to get better.
All was set… a classic play, the creative hand of Sean Mathias, and an all-star glittering cast: Sir Ian McKellen, Patrick Stewart, Simon Callow and Ronald Pickup. The lights dimmed – the magic commenced. I can truly say we weren’t disappointed. It was enchanting from start to finish. In particular, Callow’s burlesque interpretation of Pozzo was the cherry on an already delectable cake…

Stewart, Callow, McKellen
For anyone not so familiar with the play, Godot is a story of camaraderie between two hapless vagrants as they wait, forlornly and apparently in vain, for the arrival of a mysterious Mr. Godot. The exact purpose of the rendezvous is never properly explained, beyond that Mr. Godot may have some “offer” for the two tramps. In that way, curiously, the play is premised entirely upon an event that apparently will never happen – a non-event: Godot isn’t coming. So what are we waiting for?
Variously the play has been described as absurdist, or even existentialist – it’s a matter for the literati; but in simple terms it is a kind of metaphor, a tragicomic yet uncompromising reflection upon life’s manifold shadows: the loneliness, the fear, the boredom, the frustration, the constant bewildering search for meaning.
And yet within that terrain, there is also a rich seam of humour, and it is that which so characterized Mathias’s production. No comedic opportunity of the text was lost, but pounced on with relish and indulged. I never thought I could laugh so much at something so despairing. Indeed some of the po-faced critics and purists have seized upon this with a reproachful frown – as if someone had just farted in church. I disagree. In the end it is theatre, in the end it is entertainment.
In over thirty years of visiting West End theatres, I could name other productions I’ve enjoyed as much, but I’d struggle to name more than five. Perhaps three from the mid-eighties: Richard Griffiths’s “Volpone”, Lauren Bacall’s “Sweet Bird of Youth”, McKellen again in a 1984 production of Chekov’s “Wild Honey”, or more recently we had Spacey’s “Moon for the Misbegotten”… all of them quite brilliant in their different ways. For me, Godot can comfortably join this class.
So there you go my friend, if there are any tickets left and you think you can afford such an extravagance in these straightened times, then this Ealing Rambler humbly suggests you could do a lot worse for a night out.
Wednesday, 17 June 2009
The Polish Community in Ealing
With a population of 305,300 (and growing), Ealing has the third largest population of the thirty-two London boroughs, (behind Croydon and Barnet). Recently the numbers have been bolstered by an influx from Eastern Europe, but in particular from Poland. Since Poland’s accession to the EU in 2004, some 21,000 Polish nationals, newly resident in Ealing, were issued with national insurance numbers. This means Ealing has received more Polish folk, than any other local authority in the UK.
It’s no coincidence of course – Poles have been coming to Ealing for decades. Prior to EU accession, the most significant periods of migration occurred as a consequence of the two world wars, and especially the second. Fleeing the ravages of Nazism and to support the Allied war effort, thousands of Poles made their way to Britain’s shores. When eventually the Nazis were defeated, Poland fell captive to a new Soviet empire and a new era of occupation. So it was that thousands of displaced Polish servicemen (and in some cases their families too) were unable or indeed unwilling to return home. Of those, a great many settled in West London, and in particular in Hammersmith and Ealing.
Not surprisingly then we can find plenty of signs of Polish life dotted around the borough – like the Polish (and very busy) Catholic Church near the Broadway, (“Our Lady Mother of the Church”), the restaurants, cafes, and many delicatessens, the Polish Centre in West Ealing, the group “Zywiec” (a local folk song and dance group), and of course, last but not least: the people themselves.
There’s no doubt that for a long time the Polish have contributed much to life in Ealing, as they do today. In celebration of this, a lottery grant was recently provided to support the “Polish Lives in Ealing” project:
“This project will underline the important role that Polish residents have played in the local community for nearly 70 years. It will preserve the memories of the earliest settlers as well as spanning the generations between those who arrived in the 1930s, those who were born here, and the most recent arrivals.”
The project is headed up by local historian and writer Jonathan Oates, a very knowledgeable fellow based at Ealing Central Library.
And finally, my absolute favourite Polish connection in Ealing, and a gem in the blogosphere, is Michael Dembinski’s beautifully written blog account of growing up here in the sixties – “Grey Jumper'd Childhood”. Michael, who returned with his family to Warsaw in the late nineties, records with striking clarity, recollections and details from his childhood that will resonate with anyone of his generation. If he’s reading this now, I just wish he would write more!
Wednesday, 10 June 2009
Recommendation 02: The Kebab Kid
Tuesday, 9 June 2009
Smear, scandal and now election defeat: Labour is a spent force
Last night, at an emotionally charged meeting of the PLP, Brown pleaded for loyalty and support. It was high drama, a Hollywood moment, a time for cheers and rousing applause. In the end, he got what he wanted – a kind of support, and a kind of closure. It seems Labour finally nailed their colours to the mast, for which now they will pay a very heavy price.

Monday, 8 June 2009
European Election: votes in Ealing borough
Compared to 2004 the Labour vote has dropped by just over 6%. Without wishing to over-simplify matters, this is roughly the same as the vote share received by the pro-Tamil candidate Jan Jananayagam. Perhaps if she hadn't appeared on the ballot paper, Labour might have fared better.
My conclusion is that the Conservative vote has held up strongly, but I see nothing in the data to suggest anything other than a very tight contest at the next general election, especially in Central Ealing.
European Elections: it’s a bit sad…
No need to get hysterical about the BNP’s vote-share either. Historically they’ve done a little better while Labour is in power, and particularly when the government is unpopular. Once the Tories are back in charge, the BNP will be back in the box.
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Elsewhere Daniel Finkelstein, on the BBC’s results programme, made one of my favourite comments of the evening. He said that Michael Foot was perhaps one of the biggest winners of the night: Foot’s lamentable record of being the worst ever election loser for Labour having now been surpassed. Bravo.
...And isn’t Jeremy Vine annoying, prancing about the set in front of the computer graphics pretending to be Peter Snow. I suppose we should be grateful for small mercies: at least he didn’t put his silly cowboy suit on this time. The BBC’s Department for Dumbing Down must have gone to bed early.
Click here if you want to be reminded why it's important to forget it...